Taylor design architect Andy Powers has redesigned Taylor’s Grand Symphony to give it a dramatic new sonic personality. Now powered by V-Class bracing, the reimagined body style also incorporates a soundport cutaway. Together, the design features leverage the air capacity of the body in a new way to create an airier, more high-fidelity, symphonic sound worthy of the body style’s name. The way the sound radiates creates a more immersive, reverb-like effect with remarkable sustain. Notes continue to bloom as they sustain out.
This uniquely stunning all-koa Grand Symphony showcases beautifully figured Hawaiian koa and levels up the exotic appeal with a soundport cutaway featuring elegantly sculpted ebony.
Premium appointments include maple Spring Vine fretboard/peghead inlays, maple binding with koa/maple top purfling, maple fretboard/peghead purfling, a single-ring maple rosette with koa purfling, a gloss-finish body with shaded edgeburst (entire guitar), Gotoh 510 tuners in Antique Gold, and ES2 electronics. It ships in a Taylor deluxe hardshell case.
Scale Length: 24-7/8" Nut & Saddle: Tusq Bracing: V-Class Truss Rod Cover: West African Crelicam Ebony Number of Frets: 20 Tuners: Gotoh Case: Deluxe Hardshell Body Length: 20" Body Width: 16 1/4" Body Depth: 4 5/8" Binding/Edge Treatment: Pale Non-Figured Maple Top Finish: Gloss Back Config: 2-piece No Wedge Back/Side Finish: Gloss Armrest: No Neck Width:1-3/4" Fretboard Binding/Edge Treatment: West African Crelicam Ebony Heel Cap Binding: West African Crelicam Ebony Type of Neck Joint: ScarfNeck/HeelTropical Mahogany Fretboard Wood: Ebony Neck Finish: Satin Heel Length: 3-1/2" Peghead Binding: West African Crelicam Ebony Peghead Type: Standard Peghead Purfling: Maple Headstock Overlay: Indian Rosewood Peghead Logo: Taylor Mother of Pearl Bridge Pins: West African Crelicam Ebony